{"id":23,"date":"2022-06-19T07:07:28","date_gmt":"2022-06-18T22:07:28","guid":{"rendered":"https:\/\/utakoshindo.info\/sp\/project2022\/?p=23"},"modified":"2022-07-17T22:20:51","modified_gmt":"2022-07-17T13:20:51","slug":"artwork1","status":"publish","type":"post","link":"https:\/\/utakoshindo.info\/sp\/project2022\/?p=23","title":{"rendered":"“I am a door knob, leading a quiet existence”"},"content":{"rendered":"

How can we consider her, Agnes Martin, as an artist? \u30a2\u30b0\u30cd\u30b9\u306f\u3069\u306e\u3088\u3046\u306a\u82b8\u8853\u5bb6\u3060\u3068\u8a00\u3048\u308b\u3060\u308d\u3046\u304b\uff1fMy thoughts on this enquiry, at this point, are expressed in my answers to a question kindly thrown by Michael. \u73fe\u6642\u70b9\u3067\u306e\u79c1\u306e\u898b\u89e3\u306f\u3001\u30de\u30a4\u30b1\u30eb\u304c\u6295\u3052\u304b\u3051\u3066\u304f\u308c\u305f\u554f\u3044\u3078\u306e\u7b54\u3048\u306b\u8a18\u3055\u308c\u3066\u3044\u308b\u3002Michael\u2019s gaze in his response is both warm and rigorous. Undoubtedly, \u2018able to see freely\u2019. \u5fdc\u7b54\u3059\u308b\u5f7c\u306e\u773c\u5dee\u3057\u306f\u6e29\u304b\u304f\u305d\u3057\u3066\u53b3\u3057\u304f\u2026\u3001\u307e\u3055\u306b\u300c\u89b3\u81ea\u5728\u300d\u3002<\/p>\n

 <\/p>\n

Utako\uff1a<\/p>\n

I would answer YES to \u201cDo you think this ‘transformed’ aspect of Agnes’ persona or psychology relates to her position at the *edge refer to in your notes(1)?\u201d.<\/p>\n

\u300c\u30a2\u30b0\u30cd\u30b9\u306e\u30da\u30eb\u30bd\u30ca\u3084\u5fc3\u7406\u306b\u304a\u3051\u308b\u300e\u5909\u5bb9\u300f\u3068\u3044\u3046\u5074\u9762\u306f\u3001\u3042\u306a\u305f\u304c\u30e1\u30e2(1)\u306e\u306a\u304b\u3067\u8a00\u53ca\u3057\u305f\u3001\u5f7c\u5973\u306e\u7acb\u5834\u306e\u300e\u5468\u7e01\u6027\u300f\u3068\u95a2\u4fc2\u304c\u3042\u308b\u3068\u601d\u3044\u307e\u3059\u304b\uff1f\u300d\u3068\u3044\u3046\u8cb4\u65b9\u306e\u554f\u3044\u306b\u3001\u79c1\u306f\u30a4\u30a8\u30b9\u3068\u7b54\u3048\u307e\u3059\u3002<\/p>\n

\"\"<\/p>\n

The panelist (‘S\u2019), who spoke about ‘the *edge’ (Agnes’ being part of both the art historical tradition and an outsider to it), previously enunciated in the symposium something like that.\u00a0 ‘S’, Suzanne Delehanty, who curated Agnes’ first retrospective in Philadelphia, said: \u201c\u2026.and I think when you connect to that kind of discipline, the concentration that Agnes undertakes in studio and you can sense that. That helps you to go to the place [as] well. \u00a0And so, being in [an] other place, in nearly like being a spiritual situation”.<\/p>\n

\u30d1\u30cd\u30ea\u30b9\u30c8S\u306f\u3001\u3053\u306e\u300c\u5468\u7e01\u6027\u300d\uff08\u30a2\u30b0\u30cd\u30b9\u306f\u7f8e\u8853\u53f2\u306e\u4f1d\u7d71\u306e\u4e00\u90e8\u3067\u3042\u308b\u3068\u540c\u6642\u306b\u3001\u30a2\u30a6\u30c8\u30b5\u30a4\u30c0\u30fc\u3067\u3042\u308b\uff09\u306b\u3064\u3044\u3066\u767a\u8a00\u3057\u305f\u65b9\u3067\u3059\u304c\u3001\u304a\u306a\u3058\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u306e\u306a\u304b\u3067\u3001\u540c\u69d8\u306e\u3053\u3068\u3092\u8ff0\u3079\u3066\u3044\u307e\u3057\u305f\u3002S\uff08\u30b9\u30fc\u30b6\u30f3\u30fb\u30c7\u30e9\u30cf\u30f3\u30c6\u30a3\uff09\u306f\u3001\u30d5\u30a3\u30e9\u30c7\u30eb\u30d5\u30a3\u30a2\u3067\u958b\u50ac\u3055\u308c\u305f\u30a2\u30b0\u30cd\u30b9\u306e\u521d\u306e\u56de\u9867\u5c55\u306e\u4f01\u753b\u8005\u3067\u3001\u300c\uff08\u7565\uff09\u305d\u306e\u3088\u3046\u306a\u7cbe\u795e\u529b\u3068\u7d50\u3073\u3064\u3051\u308b\u306a\u3089\u3001\u30b9\u30bf\u30b8\u30aa\u3067\u30a2\u30b0\u30cd\u30b9\u304c\u307f\u305b\u305f\u96c6\u4e2d\u529b\u306b\u3082\u3001\u305d\u308c\u3092\u611f\u3058\u3068\u308b\u3053\u3068\u304c\u3067\u304d\u308b\u3067\u3057\u3087\u3046\u3002\u305d\u308c\u306b\u3088\u308a\u3001\u79c1\u305f\u3061\u3082\u305d\u306e\u5834\u6240\u306b\u8eab\u3092\u304a\u304f\u3053\u3068\u306b\u306a\u308b\u3002\u305d\u308c\u306f\u5225\u306e\u5834\u6240\u306b\u8eab\u3092\u304a\u304f\u3053\u3068\u3067\u3042\u308a\u3001\u30b9\u30d4\u30ea\u30c1\u30e5\u30a2\u30eb\u306a\u72b6\u614b\u306b\u8fd1\u3044\u300d\u3068\u8a00\u3044\u307e\u3057\u305f\u3002<\/p>\n

\"\"<\/p>\n

My understanding is that this ‘spiritual situation’ is outside of the ‘modern’ art tradition – which was in those days, gendered and divided into high\/low art. Perhaps it was a way to stay on the margin; she claimed that “I am not a woman. I am a door knob, leading a quiet existence<\/strong>” (1974) (2). It was when she was cultivating her own expression and ‘discipline’ by making her studio quiet and distant, yet open, to some degree. She later said, “Discipline is in having the mind open for inspiration” (1989)(3). In my understanding, inspiration is like ‘breath’, externally coming into and out of one’s bodily architecture. And some might consider it related to the idea of the spiritual.<\/p>\n

\u3053\u306e\u300c\u30b9\u30d4\u30ea\u30c1\u30e5\u30a2\u30eb\u306a\u72b6\u614b\u300d\u3068\u306f\u3001\u30b8\u30a7\u30f3\u30c0\u30fc\u5316\u3055\u308c\u3001\u30cf\u30a4\u30fb\u30a2\u30fc\u30c8\uff0f\u30ed\u30a6\u30fb\u30a2\u30fc\u30c8\u306b\u5206\u304b\u308c\u3066\u3044\u305f\u300c\u8fd1\u4ee3\u300d\u7f8e\u8853\u306e\u4f1d\u7d71\u306e\u5916\u90e8\u306b\u3042\u308b\u72b6\u614b\u3092\u6307\u3059\u3001\u3068\u79c1\u306f\u7406\u89e3\u3057\u3066\u3044\u307e\u3059\u3002\u305d\u306e\u5468\u7e01\u306b\u8eab\u3092\u304a\u304f\u305f\u3081\u306e\u65b9\u6cd5\u3060\u3063\u305f\u306e\u304b\u3082\u3057\u308c\u307e\u305b\u3093\u3002\u30a2\u30b0\u30cd\u30b9\u306f\u300c\u79c1\u306f\u5973\u3067\u306f\u3042\u308a\u307e\u305b\u3093\u3002\u79c1\u306f\u3072\u3063\u305d\u308a\u3068\u751f\u304d\u308b\u30c9\u30a2\u30ce\u30d6\u3067\u3059<\/strong>\u300d\u3068\u8a00\u3044\u307e\u3057\u305f\uff081974\u5e74\uff09(2)\u3002\u3053\u308c\u306f\u3001\u5f7c\u5973\u304c\u30a2\u30c8\u30ea\u30a8\u3092\u9759\u8b10\u3067\u5b64\u72ec\u306a\u3001\u305d\u308c\u3067\u3044\u3066\u3042\u308b\u7a0b\u5ea6\u30aa\u30fc\u30d7\u30f3\u306a\u7a7a\u9593\u3068\u3057\u3066\u7dad\u6301\u3057\u3064\u3064\u3001\u81ea\u5206\u306a\u308a\u306e\u8868\u73fe\u3068\u300c\u81ea\u5236\u5fc3\u300d\u3092\u80b2\u3093\u3067\u3044\u305f\u9803\u306e\u3053\u3068\u3067\u3059\u3002\u306e\u3061\u306b\u3001\u5f7c\u5973\u306f\u300c\u81ea\u5236\u5fc3\u3068\u306f\u30a4\u30f3\u30b9\u30d4\u30ec\u30fc\u30b7\u30e7\u30f3\u306e\u305f\u3081\u306b\u5fc3\u3092\u958b\u304f\u3053\u3068\u3060\u300d\u3068\u8a00\u3044\u307e\u3057\u305f\uff081989\u5e74\uff09(3)\u3002\u79c1\u306e\u7406\u89e3\u3067\u306f\u3001\u30a4\u30f3\u30b9\u30d4\u30ec\u30fc\u30b7\u30e7\u30f3\u3068\u306f\u300c\u606f\u300d\u306e\u3088\u3046\u306a\u3082\u306e\u3067\u3001\u4eba\u9593\u306e\u8eab\u4f53\u306e\u69cb\u9020\u306b\u5916\u304b\u3089\u53d6\u308a\u8fbc\u307e\u308c\u305f\u308a\u3001\u51fa\u3066\u3044\u3063\u305f\u308a\u3059\u308b\u3082\u306e\u3067\u3059\u3002\u305d\u3057\u3066\u3001\u305d\u308c\u3092\u30b9\u30d4\u30ea\u30c1\u30e5\u30a2\u30eb\u306a\u3082\u306e\u3092\u3081\u3050\u308b\u8003\u3048\u3068\u95a2\u9023\u3065\u3051\u308b\u4eba\u3082\u3044\u308b\u3067\u3057\u3087\u3046\u3002<\/p>\n

In thinking about this, I am reminded of an image of the Buddhist Statue of ‘Hanka Shiyui Miroku-Bosastu’. I studied the statue and its art-historical significance to both east and western thought a while ago before studying Agnes more deeply.<\/p>\n

\u305d\u306e\u3053\u3068\u3092\u8003\u3048\u3066\u3044\u308b\u3068\u3001\u300c\u534a\u8dcf\u601d\u60df\u5f25\u52d2\u83e9\u85a9\u300d\u3068\u3044\u3046\u4ecf\u50cf\u306e\u30a4\u30e1\u30fc\u30b8\u3092\u9023\u60f3\u3057\u307e\u3059\u3002\u30a2\u30b0\u30cd\u30b9\u3092\u6df1\u304f\u7814\u7a76\u3059\u308b\u3088\u3046\u306b\u306a\u308b\u524d\u306e\u3053\u3068\u3067\u3059\u304c\u3001\u4ee5\u524d\u3001\u3053\u306e\u4ecf\u50cf\u306b\u3064\u3044\u3066\u3001\u307e\u305f\u6771\u897f\u306e\u601d\u60f3\u306b\u304a\u3051\u308b\u305d\u306e\u7f8e\u8853\u53f2\u7684\u91cd\u8981\u6027\u306b\u3064\u3044\u3066\u52c9\u5f37\u3057\u307e\u3057\u305f\u3002<\/p>\n

‘Bosatsu’ transcends sexual difference, and this particular statue, made in ancient Japan in the 7th Century, is supposed to have ‘transformed’ from the external world to the human world, through the tremendous ‘suffering’ process on behalf of human kind for salvation (4).<\/p>\n

\u300c\u83e9\u85a9\u300d\u306f\u6027\u5dee\u3092\u8d85\u8d8a\u3057\u305f\u5b58\u5728\u3067\u30017\u4e16\u7d00\u306e\u53e4\u4ee3\u65e5\u672c\u3067\u4f5c\u3089\u308c\u305f\u3053\u306e\u4ecf\u50cf\u306f\u3001\u4eba\u9593\u306e\u8eab\u4ee3\u308f\u308a\u306b\u9014\u65b9\u3082\u306a\u3044\u300c\u82e6\u96e3\u300d\u306e\u904e\u7a0b\u3092\u7d4c\u9a13\u3057\u3001\u6551\u6e08\u3092\u3082\u305f\u3089\u3059\u3079\u304f\u3001\u5916\u754c\u304b\u3089\u4eba\u9593\u754c\u306e\u5b58\u5728\u3078\u3068\u300c\u5909\u5bb9\u300d\u3057\u305f\u3068\u3055\u308c\u3066\u3044\u307e\u3059 (4)\u3002<\/p>\n

I do not see Agnes as a religious object nor a Buddhist statue. She is human (if not, then a Buffalo!). She cannot go to the other side like ‘Bosatsu’. But I agree that she might have stayed at the edge.<\/p>\n

\u79c1\u306f\u3001\u30a2\u30b0\u30cd\u30b9\u3092\u4fe1\u4ef0\u5bfe\u8c61\u3084\u4ecf\u50cf\u3068\u307f\u306a\u3057\u3066\u3044\u308b\u308f\u3051\u3067\u306f\u3042\u308a\u307e\u305b\u3093\u3002\u5f7c\u5973\u306f\u4eba\u9593\u3067\u3059\uff08\u305d\u3046\u3067\u306a\u3044\u3068\u3059\u308c\u3070\u3001\u30d0\u30c3\u30d5\u30a1\u30ed\u30fc\uff01\uff09\u3002\u5f7c\u5973\u306f\u300c\u83e9\u85a9\u300d\u306e\u3088\u3046\u306b\u5225\u306e\u4e16\u754c\u306e\u5b58\u5728\u3068\u306a\u308b\u3053\u3068\u306f\u3067\u304d\u307e\u305b\u3093\u3002 \u3067\u3082\u3001\u5f7c\u5973\u304c\u5468\u7e01\u7684\u306a\u5b58\u5728\u3060\u3063\u305f\u3068\u3044\u3046\u3001\u3042\u306a\u305f\u306e\u8a00\u8449\u306b\u306f\u540c\u610f\u3057\u307e\u3059\u3002<\/p><\/blockquote>\n

\"\"<\/strong><\/p><\/blockquote>\n

 <\/p>\n

Micheal:<\/p>\n

… Also, I was fascinated to read about Miroko-Bosatsu from your dissertation and in your email comments.\u00a0 I’m afraid I don’t have anything to add aside from the notion that it seems anything, including rigorously poetic work, could be a bosastu, i.e. a teaching, a student.<\/p>\n

… \u305d\u308c\u304b\u3089\u3001\u5f25\u52d2\u83e9\u85a9\u306b\u3064\u3044\u3066\u3001\u8ad6\u6587\u3084\u30e1\u30fc\u30eb\u306b\u66f8\u3044\u3066\u304f\u308c\u305f\u5185\u5bb9\u3001\u8208\u5473\u6df1\u304f\u8aad\u307f\u307e\u3057\u305f\u3002\u79c1\u304b\u3089\u4ed8\u3051\u52a0\u3048\u308b\u3053\u3068\u306f\u306a\u3044\u3051\u3069\u3001\u3042\u3089\u3086\u308b\u3082\u306e\u304c\u83e9\u85a9\u307f\u305f\u3044\u3060\u3063\u3066\u8a00\u3048\u305d\u3046\u306a\u6c17\u304c\u3057\u307e\u3059\u3002\u7d20\u6674\u3089\u3057\u304f\u8a69\u7684\u306a\u4f5c\u54c1\u3082\u305d\u3046\u3060\u3057\u3001\u3068\u3044\u3046\u3053\u3068\u306f\u3001\u4f55\u3089\u304b\u306e\u6559\u3048\u3084\u5b66\u3076\u4eba\u3060\u3063\u3066\u3002<\/p>\n

And Delahanty’s reflections on Agnes Martin and discipline was very cool to read.\u00a0To have an open mind for inspiration seems like such a vulnerable state in\u00a0that it requires a certain suspension of self understanding in order to receive, to perceive in a preverbal way.\u00a0\u00a0At least, that’s what occurs to me now.\u00a0 Maybe that’s why so much of her work feels so completely<\/i> coherent to me.<\/p>\n

\u30a2\u30b0\u30cd\u30b9\u30fb\u30de\u30fc\u30c6\u30a3\u30f3\u306e\u7cbe\u795e\u529b\u306b\u3064\u3044\u3066\u306e\u30c7\u30e9\u30cf\u30f3\u30c6\u30a3\u306e\u898b\u89e3\u306f\u3068\u3063\u3066\u3082\u30af\u30fc\u30eb\u3060\u306d\u3002\u30a4\u30f3\u30b9\u30d4\u30ec\u30fc\u30b7\u30e7\u30f3\u3092\u5f97\u308b\u305f\u3081\u306b\u3001\u5fc3\u3092\u30aa\u30fc\u30d7\u30f3\u306b\u3059\u308b\u3068\u3044\u3046\u306e\u306f\u3001\u3068\u3066\u3082\u50b7\u3064\u304d\u3084\u3059\u3044\u72b6\u614b\u306a\u3093\u3058\u3083\u306a\u3044\u304b\u306a\u3002\u30a4\u30f3\u30b9\u30d4\u30ec\u30fc\u30b7\u30e7\u30f3\u3092\u5f97\u308b\u305f\u3081\u3001\u524d\u8a00\u8a9e\u7684\u306a\u3084\u308a\u65b9\u3067\u77e5\u899a\u3059\u308b\u3068\u3001\u81ea\u5df1\u306b\u3064\u3044\u3066\u306e\u7406\u89e3\u304c\u4e00\u6642\u7684\u306b\u63fa\u3089\u3050\u3053\u3068\u306b\u306a\u308b\u304b\u3089\u3002\u5c11\u306a\u304f\u3068\u3082\u3001\u79c1\u306f\u3044\u307e\u305d\u3093\u306a\u72b6\u614b\u306b\u3042\u308b\u3002\u5f7c\u5973\u306e\u4f5c\u54c1\u306e\u591a\u304f\u304c\u300c\u5b8c\u5168\u306b\u300d\u8fbb\u8904\u306e\u5408\u3063\u305f\u3082\u306e\u306b\u611f\u3058\u3089\u308c\u308b\u306e\u306f\u3001\u305d\u306e\u305b\u3044\u304b\u3082\u3057\u308c\u306a\u3044\u3002<\/p>\n

I think you have an exciting mind, Utako.\u00a0 I don’t romanticize this because I can imagine it can be burdensome to delve only to find yourself either enthralled by your subject or to feel unsure whether what you’re seeing\/thinking has any reality at all.<\/p>\n

\u8a69\u5b50\u306e\u767a\u60f3\u306f\u7d20\u6674\u3089\u3057\u3044\u3068\u601d\u3046\u3002\u3067\u3082\u3001\u79c1\u306f\u5fc5\u8981\u4ee5\u4e0a\u306b\u30ed\u30de\u30f3\u30c1\u30c3\u30af\u306b\u8003\u3048\u306a\u3044\u3088\u3046\u306b\u3057\u3088\u3046\u3068\u601d\u3046\u3002\u6df1\u304f\u6398\u308a\u4e0b\u3052\u308b\u3053\u3068\u3067\u3001\u30c6\u30fc\u30de\u306e\u865c\u306b\u306a\u3063\u305f\u308a\u3001\u81ea\u5206\u306e\u898b\u3066\u3044\u308b\uff0f\u8003\u3048\u3066\u3044\u308b\u5185\u5bb9\u306b\u305d\u3082\u305d\u3082\u30ea\u30a2\u30ea\u30c6\u30a3\u304c\u3042\u308b\u306e\u304b\u3001\u5206\u304b\u3089\u306a\u304f\u306a\u3063\u305f\u308a\u3059\u308b\u3068\u5384\u4ecb\u304b\u3082\u3057\u308c\u306a\u3044\u304b\u3089\u3002<\/p><\/blockquote>\n

 <\/p>\n

 <\/p>\n

(footnote)<\/p>\n

    \n
  1. My transcription of the video recording, An educational symposium honoring Agnes Martin on the occasion of her 90th birthday,\u00a0<\/em>organized by the University of New Mexico\u2019s Harwood Museum ofArt (Taos, New Mexico, March 22 – 24, 2002), sourced from Harwood Museum of Art Archives<\/li>\n
  2. Jill Johnson, \u201cAgnes Matin: Surrender & Solitude\u201d in Gullibles Travels,<\/em> 1974, Links Books (NY., London),\u00a0sourced from New Mexico Museum of Art Archives<\/li>\n
  3. “Agnes Martin: Beauty is the\u00a0Mystery\u00a0of Life\u201d (Martin’s lecture note and the transcription of Q&A), in El Palacio,<\/em> fall\/winter 1989, Vol.95 (Santa Fe, The New Mexico Museum Foundation), sourced from Pace Gallery Research & Archives<\/li>\n
  4. The Untranslatable, a Poetic Place,<\/em>\u00a0my doctorate dissertation submitted to the University of Melbourne, 2017\u00a0<\/strong><\/li>\n<\/ol>\n

     <\/p>\n

     <\/p>\n","protected":false},"excerpt":{"rendered":"

    How can we consider her, Agnes Martin, as an artist? \u30a2\u30b0\u30cd\u30b9\u306f\u3069\u306e\u3088\u3046\u306a\u82b8\u8853\u5bb6\u3060\u3068\u8a00\u3048\u308b\u3060\u308d\u3046\u304b\uff1fMy thoughts on this enquiry, at this point, are expressed in my answers to a question kindly thrown by Michael. \u73fe\u6642\u70b9\u3067\u306e\u79c1\u306e\u898b\u89e3\u306f\u3001\u30de\u30a4\u30b1\u30eb\u304c\u6295\u3052\u304b\u3051\u3066\u304f\u308c\u305f\u554f\u3044\u3078\u306e\u7b54\u3048\u306b\u8a18\u3055\u308c\u3066\u3044\u308b\u3002Michael\u2019s gaze in his response is both warm and rigorous. Undoubtedly, \u2018able to see freely\u2019. \u5fdc\u7b54\u3059\u308b\u5f7c\u306e\u773c\u5dee\u3057\u306f\u6e29\u304b\u304f\u305d\u3057\u3066\u53b3\u3057\u304f\u2026\u3001\u307e\u3055\u306b\u300c\u89b3\u81ea\u5728\u300d\u3002   Utako\uff1a I would answer YES to \u201cDo you think this ‘transformed’ aspect of Agnes’ persona or psychology relates to her position at the *edge refer to in your notes(1)?\u201d. \u300c\u30a2\u30b0\u30cd\u30b9\u306e\u30da\u30eb\u30bd\u30ca\u3084\u5fc3\u7406\u306b\u304a\u3051\u308b\u300e\u5909\u5bb9\u300f\u3068\u3044\u3046\u5074\u9762\u306f\u3001\u3042\u306a\u305f\u304c\u30e1\u30e2(1)\u306e\u306a\u304b\u3067\u8a00\u53ca\u3057\u305f\u3001\u5f7c\u5973\u306e\u7acb\u5834\u306e\u300e\u5468\u7e01\u6027\u300f\u3068\u95a2\u4fc2\u304c\u3042\u308b\u3068\u601d\u3044\u307e\u3059\u304b\uff1f\u300d\u3068\u3044\u3046\u8cb4\u65b9\u306e\u554f\u3044\u306b\u3001\u79c1\u306f\u30a4\u30a8\u30b9\u3068\u7b54\u3048\u307e\u3059\u3002 The panelist (‘S\u2019), who spoke about ‘the *edge’ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,10],"tags":[],"class_list":["post-23","post","type-post","status-publish","format-standard","hentry","category--knob","category-10"],"_links":{"self":[{"href":"https:\/\/utakoshindo.info\/sp\/project2022\/index.php?rest_route=\/wp\/v2\/posts\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/utakoshindo.info\/sp\/project2022\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/utakoshindo.info\/sp\/project2022\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/utakoshindo.info\/sp\/project2022\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/utakoshindo.info\/sp\/project2022\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23"}],"version-history":[{"count":42,"href":"https:\/\/utakoshindo.info\/sp\/project2022\/index.php?rest_route=\/wp\/v2\/posts\/23\/revisions"}],"predecessor-version":[{"id":573,"href":"https:\/\/utakoshindo.info\/sp\/project2022\/index.php?rest_route=\/wp\/v2\/posts\/23\/revisions\/573"}],"wp:attachment":[{"href":"https:\/\/utakoshindo.info\/sp\/project2022\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/utakoshindo.info\/sp\/project2022\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/utakoshindo.info\/sp\/project2022\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}